With a background in art history, Siân often returns to themes of seeing and sight, or in this taxidermied case, the absence of seeing. As viewers, we have the idea that we can look into the sightless glass eyes of the animal and 'know' it, without our gaze being returned. The installation coincides with the publication of a short story of the same name by Siân in association with g39 as a limited edition artist’s book.
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