
Emii Alrai is an artist whose work spans material investigation in relation to memory, critique of the western museological structure and the complexity of ruins.
Working primarily in sculpture and installation, her work operates as large-scale realms built in relation to bodies of research which concern archaeology and the natural environments objects are excavated from. Emii’s work uses the language of museum display structures (physical and conceptual) to critique the underlying form of these institutions.
Past solo exhibitions include River of Black Stone (2025), A Lake as Great as its Bones, Maximillian William
Lithics at Quench Gallery, Margate (2024); A Core of Scar, The Hepworth Wakefield & iniva (2022); and Reverse Defence at Workplace Foundation in Newcastle (2022).
The artist was in the following exhibition: Fanatic Links :https://emiialrai.com/