Sam Keelan uses photography, moving image and writing to tell gay surreal narratives and ideas around individualism, care and community. These narratives dissect day-to-day connections to one another, then transform the benign aspects of these ideas to create queer doppelgängers of dominant middle class ideologies, often reinserted back into domestic spaces.
Shot in a dated hotel room, Tired as the Land presents a silent durational film of a tender and absurd scene of two male figures – one human, one a human-sized hot water bottle – embracing and sleeping in simple domesticity. Keelan uses a staple of domestic comfort to give physical and playful form to the politics of care.
Sam Keelan has presented work at The Stanley & Audrey Burton Gallery (University of Leeds, 2023-24), TJ Boulting, (London, 2023) and Quench Gallery, (Margate, 2022)